FOREWARD 
              WANG Wusheng EXHIBITION 。ーCELESTIAL MOUNTAINS。ア 
              18 April ~ 18 June 2000 
              Tokyo Metropolitan   Museum of Photography
            Dr. Wilfried Seipel 
              Generaldirector of Kunsthistoreschen Museum Vienna
               The idea of sponsoring a  photography exhibition of Wang Wusheng at our Museum in 1998 came from the art  exhibition 。ーThe Gravity of Mountains。ア at Kunst Halle Krems in 1997.I was greatly touched at the time by Mr. Wang。ッs  works, which had left me such a strong impact.I was determined without any hesitation to sponsor a large-scale  exhibition in Vienna  that the artist deserved. 
               
                     Mr. Wang is an overseas  Chinese residing in Japan.His style and inspiration derived from China.In 1994 and 1995,Mr. Wang had two  exhibitions held respectively at the China  Art Museum in Beijing  and at the Shanghai Art Museum in Shanghai.He was born in Wuhu  in the mountainous Anhui province, which is to  the west of Shanghai.The area of this province is larger than that  of the whole country of Austria.He grew up at the foot of Mt. Huangshan,  a chain of mountains and ridges stretching as long as 250 kilometers with  seventy-two peaks having an average of 1000 to 2000 meters above sea  level Wandering in such a fairyland,  the sensitive photographer interacted strongly with the grandeur and beauty of clouds, cliffs and pines, just  as the romantic complex of the Europeans derived from their attraction to the  mountains. 
              
                    Through his delicate  inspiration and rich representations as well as the perfect composition and  touching drama, Mr. Wang。ッs photography not only fully displays his talent and  insight as an outstanding artist, but also forcefully and directly conveys to  the audience the spirit and rhythm of the scenery in its best form (such as the  exhibition of 。ーCelestial Mountains,。ア which of course only presents a small part  of the grandeur) using a unique language of image with his artistry.This directness, I think, generates huge  impact on Western viewers.In his works  displayed at the Celestial Mountains exhibition, contradictions exist  everywhere; the unity of opposites reflected in the interaction between the  mountains and clouds, movement and stillness as well as light and shadow makes  every work of his a valuable token, manifesting the conflict and at the same  time unity of human spirit merging with nature in its broadest sense. 
             
                    Photography used to be a  field belonging to us Europeans.In this  sense, Wang。ッs works were influenced by European art history, yet they also  embrace the essence of art history and the spirit and charm of landscape of East Asia as seen in the form of Chinese ink  painting.Undoubtedly, the  photographer。ッs original intention was much related to the motif of Chinese  traditional ink painting.Wang。ッs works  provide association with Chinese ink painting, but what wins people。ッs great  admiration is the artist。ッs creative intention and his quest for  perfection.The beauty of landscape  stuns him urging him to search for a superb artistic expression.He not only searches for the beauty of  landscape, but also for the artistic beauty of his own aspiration.His works demonstrate a quest for  aestheticism that transcends time and space.They are also imbued with an understanding of Buddhist and Daoist  philosophy.The tranquility of Buddhist  realm provides him with inspiration, thus his ideological tendency towards the  Chinese idea of consummation that 。ーnature and man are one.。アThe photographer has been immersed in the  beauty of Mt. Huangshan since childhood.The fairylike charm of Mt. Huangshan  poses an eternal attraction to him.An  ideal paradise cherished by Asians emerges amidst clouds floating in a sea of  misty mountains in willful indulgence. 
                   There is no question  that such beauty transcending time and space is an eternal beauty that contains  a constant pursuit of the realm of 。ーnature and man are one.。アThe photographer searches for his artistic  prototype in this landscape otherworld.What is more important is the spirit one feels in the landscape than the  landscape itself.The mountains and  waters interact with heaven and immortals as described in Asian fairy  tales.Look!The clouds are floating gracefully in the  boundless universe.Such interpretation  of Mt. Huangshan landscape as fairyland has  enabled many Chinese to look up to it as a celestial terrain.The world of rocks, clouds, fogs, waterfalls  and pines offers an excellent milieu for traditional ink painting.All of this is fully represented in Wang  Wusheng。ッs works in his style of originality and persuasion. 
               
                    Today, Mt. Huangshan  has become a tourist site crowded with visitors.Manmade stone steps and cable cars can be  seen everywhere.The facade of Mt. Huangshan  seems shallow and insignificant.The  contrast our photographer presents against the superficial produces everlasting  charm to his works.They demonstrate the  artist。ッs deep understanding of the essence of Mt. Huangshan.With the traditional Daoist philosophical  spirit permeated in his works, the mountains become a path leading to the  search of personal identity。ュ.All these  concepts may be found in the Catalogue. 
              
                   Wang Wusheng has  materialized an in-depth perception of a civilization, for which we may get  some idea from his dialogue with the literary critic Mr. Tang.I believe this exhibition will provide a  great opportunity for us to understand an otherworld. 
                   The exhibition we held  in 1998 with Chinese landscape as its theme was unprecedented in the history of  our Museum.I hope this exhibition will  not only enable us to appreciate the unique scenes that seem so far away from  us, but also convey to us something fresh and new.It is incredible that Mr. Wang Wusheng is  able to make the scenes presented in his works seem mystic yet intimate at the  same time. 
               
                   I also believe it is  important to point out that representation of the beauty of Chinese traditional  landscape ink painting through photography is new to us Europeans.We will have a feast to our eyes by  appreciating a Chinese artist。ッs artistic approach and feelings, his  self-consciousness and his association with oriental philosophical ideology  through his extraordinary skills. 
             
                 Finally, I hope the  creative spirit I felt deep down in my soul from the artist。ッs ideal celestial  will bring about resonance in people。ッs hearts.I wish the exhibition at Tokyo Metropolitan Museum of Photography great  success.Thank you              |